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10 |
Album
Reviews |
Music
Worth Hearing |
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She and Him: Volume One
(Merge) - She & Him are actress
Zooey Deschanel and M. Ward. The two met when performing the Richard and Linda Thompson tune "When I Get To The Border" for Martin Hayens’ film The Go-Getter. Zooey’s
affinity for old music, old movies and vintage clothes indicates she’s
basically and old-fashioned gal. And
it really shows. She wrote all but
three of tracks; all of which taking you back to innocence of early pop music
– where flavors of country and western, blended with rock, soul and hula
exotica. Acoustic guitars, strings,
keys, pedal steel, bass and percussion set the stage for her enduring, reverb
kissed vocals – full of sweetness, sass and strength. The subtle imperfections make it all the
more genuine. Highly Recommended. |
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Crystal Castles: Crystal
Castles (Last Gang) - |
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Charles Lloyd: Rabo de Nube
(ECM) - Over 40 years into his recording career, and at the age of 69, Jazz
legend Charles Lloyd demonstrates
once again his ability to twist and turn the tradition in many intriguing
directions. With a revamped quartet of
young stars (including pianist Jason
Moran, Reuben Rogers on bass
and drummer Eric Harland), this
energized performance consists of Lloyd
originals and a title track by Cuban Silvio
Rodríguez. It’s an easily
recommended live set from |
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Prince Fatty: Survival of
the Fattest (Mr. Bongo/ Rasa ) - Producer / engineer Mike Pelanconi (Lily Allen)
assembled Prince Fatty to make a
one-off single for Stussy’s 25th anniversary. The ensemble’s up-beat, positive vive of
rock-steady beats, jazzy horns, organ and modern dub touches was an
underground hit in the |
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Bauhaus: Go Away White
(Bauhaus Music) - Bauhaus are
considered to be the founding fathers of goth rock. While that genre kind of gets a bad
reputation these days, Bauhaus does
it without all the gimmicks. They aren't about eyeliner, they aren't
about black hair dye, and they aren't about their image. They focus on
their music to represent who they are and on this, their first album since
reforming in 2005 (they split up in 1983 after forming in 1978), they should
remind people what goth rock is all about- a continuation and interpretation
of the punk movement. With heavy reverb, lots of guitar, snare drums
and dark deep lyrics, this, the bands final album, is a fitting goodbye. |
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Sera Cahoone: Only as the
Day is Long (Sub Pop) - A drummer since she was 12 years old, Sera Cahoone finally steps out from
behind the drumset and moves center-stage to show off her singing and guitar
playing. She played drums for Carissa's
Wierd and Band of Horses, but she clearly is
influenced by the likes of Cat Power's
Chan Marshall and Laura Veirs. Warm
singer/songwriter, folksy songs definitely worth checking out. |
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LowFish: Burn The Lights
Out (Satamile) - Lowfish is Toronto-based producer Gregory DeRocher. He
crafts an energetic experimental electro that references early IDM, new wave
and Kraftwerk. Propulsive beats, analog keyboard washes
and textures of unintelligible vocals coalesce into tech dance sounds with a
dark, hard edge. Recommended. |
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Neptune: |
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Colour Revolt: Plunder,
Beg, and Curse (Fat Possum) - The debut LP from |
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Gaudi + Nusrat Fateh Ali
Khan: Dub Qawwali Remixes (Six Degrees) - In 2007 electro-dub artist Gaudi
brought Nusrat Fateh Ali Khan’s qawwal vocals into the realm of dub. It was a match of spiritual significance. Taking it one step further, two tracks from
the beautiful Dub Qawwali project are remixed by label-mates Cheb I Sabbah,
Bombay Dub Orchestra and Pinch. A
remix of a remix may seem odd and rather unnecessary. True, a few years ago it’s doubtful this
would have been released. However in
this era of digital download, taking alternate mixes to market is
viable. Withstanding the Shining Star
ReMix, really noting is gained other than tailoring the sound to specific
audiences. |
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